Musicology

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After a decade and a half of only making records that tickled his own eccentric fancy, Prince has returned with a rather high-minded agenda to educate listeners in the science of music—or at least take them back to school—make that old school, bragging on the title track that “We got a Ph.D. in advanced body movin’.” But his braggadocio is not without merit. The Purple One has reconnected with that deep vein of funk after experimenting with his splendid and messy excesses since the cusp of the nineties, and turned out his best album since 1987’s Sign of the Times. Lean and minimal but with pronounced airtight grooves, the musician once again fuses the spiritual with the carnal, but has turned down the heat quite a bit since becoming a Jehovah’s Witness. Instead of a dirty mind, Prince extols the joys of wedded bliss (he married Manuela Testolini on New Year’s Eve 2001) on the slow, seductive “Call My Name,” displays a sardonic sense of humor when he skewers his old 80s rival Michael Jackson on “Life O The Party” (My voice is getting higher/I ain’t never had my nose done), and shows a rather tart and anxious social conscience throughout the disc; most eloquently articulated on the arch and acerbic “Mr. Man” where he not only references the gospel but the U.S. Constitution. “Cinnamon Girl,” which borrows its title from Neil Young’s infamous seventies anthem comes closest to the inscrutable musician’s former high water marks, and shows that Prince well deservedly is able to reclaim his thorny crown. —Jaan Uhelszki