Norman Brown
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Norman Brown
The opening track here is aptly titled “The Feeling I Get,” because there is a certain good vibe to Brown’s style and his melodies. Brown’s use of swinging horn sections and the way he pads his lines with reeds, blending in swirls of triplets with his Wes Montgomery/George Benson sound, can’t help but make real smooth-jazz lovers feel good and smile. The expert pen of the tasteful veteran arranger Jerry Hey on the opener (and the following title track) magnifies this unique sound. This album takes a left turn on the four vocal tracks. Chante Moore and Michael…
