Pan's Labyrinth (soundtrack)
From AwardAnnals
 | |
| Artist(s) | Javier Navarrete |
|---|---|
| Subtitle | Original Sountrack |
| Label | Milan Records |
| Honors | |
| Pan’s Labyrinth unfolds through the eyes of Ofelia, a dreamy little girl who is uprooted to a rural military outpost commanded by her new stepfather. Ofelia lives out her own dark fable as she confronts monsters both otherworldly and human. Spanish composer, Javier Navarrete brings the music of Pan’s Labyrinth alive. It captures the fantastical mood of the film—a fairy tale fantasy for adults, set against the backdrop of the Spanish Civil War—with all of the tension and imagination of this rich, layered film. | |
Pan’s Labyrinth unfolds through the eyes of Ofelia, a dreamy little girl who is uprooted to a rural military outpost commanded by her new stepfather. Ofelia lives out her own dark fable as she confronts monsters both otherworldly and human. Spanish composer, Javier Navarrete brings the music of Pan’s Labyrinth alive. It captures the fantastical mood of the film—a fairy tale fantasy for adults, set against the backdrop of the Spanish Civil War—with all of the tension and imagination of this rich, layered film.
Honors
Reviews
Amazon.com
Too many soundtracks feel interchangeable, and rare are the composers who really capture a movie’s core. But Javier Navarrete has succeeded in his Oscar-nominated score for Guillermo del Toro’s Pan’s Labyrinth, a dark fantasy set in 1944 Spain. The first cue, “Long, Long Time Ago,” sets the melancholy tone with piano and voice; the spectral piano pops up several more times, and the theme is more fully developed in “Mercedes Lullaby.” But it’s the second track, the aptly titled “The Labyrinth,” that really gives the listener insight into the movie’s tenebrous universe. While Navarrete can certainly do short, intimate pieces dotted with telling arrangements (like the few trumpet notes adding a subtle Spanish flavor to “Rose, Dragon”), he excels on the longer tracks, such as “Not Human,” which goes through a succession of moods, each one increasingly scary, without ever going overboard into cheap, demonstrative effects. Navarrete has already had a long career as a film scorer in Spain, and this won’t be the last American audiences hear from him. —Elisabeth Vincentelli
Related works
Following a bloody civil war, young Ofelia enters a world of unimaginable cruelty when she moves in with her new stepfather, a tyrannical military officer. Armed with only her imagination, Ofelia discovers a mysterious labyrinth and meets a faun who sets her on a path to saving herself and her ailing mother. But soon, the lines between fantasy and reality begin to blur, and before Ofelia can turn back, she finds herself at the center of a ferocious battle between good and evil.
