Personality
From AwardAnnals
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| Author(s) | Andrew O'Hagan |
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| Publisher | Harcourt |
| Honors | |
| Maria Tambini is a thirteen-year-old girl with an amazing singing voice. Growing up above her mother’s shop on the Scottish island of Bute, living at the centre of her family’s dream of fame, Maria is an extraordinary girl making ready to escape the ordinary life. We first meet her amidst the faded grandeur of the seaside resort of Rothesay, with the Argyll hills and the Eighties in front of her, and behind her a long shadow: the secret story of her Italian-immigrant family. When Maria wins a national TV talent show she is taken to London and becomes an… | |
Maria Tambini is a thirteen-year-old girl with an amazing singing voice. Growing up above her mother’s shop on the Scottish island of Bute, living at the centre of her family’s dream of fame, Maria is an extraordinary girl making ready to escape the ordinary life.
We first meet her amidst the faded grandeur of the seaside resort of Rothesay, with the Argyll hills and the Eighties in front of her, and behind her a long shadow: the secret story of her Italian-immigrant family. When Maria wins a national TV talent show she is taken to London and becomes an instant star of what used to be called light entertainment; she sings with Dean Martin and tours America, can fill the London Palladium, yet all the while “the girl with the giant voice” is losing herself in fame and waging a private war against her own body. Maria becomes a living exhibit in the modern drama of celebrity: is it possible that she can be saved by love? Or is she to be consumed by an obsessive culture, by family lies and her number-one fan?
Personality includes a cast of characters so vivid and complex that they seem to encompass within their enthralling stories a portrait of a whole society, its history and its spirit.
Honors
Reviews
Amazon.com
Andrew O’Hagan’s Personality opens on Scotland’s Isle of Bute with three generations of the Tambini family struggling for success in their adopted home. The blanket of charm that envelops the Tambini’s gradually discloses many secrets: forgotten children, torrid affairs, closeted homosexuality, and suppressed ethnic tension. Thirteen-year-old singer Maria Tambini seems to be everybody’s antidote to past failures. After she leaves Bute for and audition with the television show Opportunity Knocks in London, she rapidly achieves both fame and fortune buoyed by a voice “like Barbara Streisand[’s]” and charisma beyond her years. Friends and family mourn her loss to stardom while taking solace that someone has escaped Bute and achieved success as they imagine it must be on television.
But Maria’s abrupt transformation into a personality leads to obsession with body image, clothes, hairstyles, and make-up; she sees herself as only an object for other people’s entertainment: “Her body was apart from her. The person with thoughts was different from the person with arms and legs, a stomach and a face.” For Maria, a life of surfaces, a life of pleasing, means self-annihilation. As her self fades into the image that others project on her, her body literally withers away.
O’Hagan experiments with virtually every narrative form in Personality (even including an epistolary chapter). Not all of these attempts work, and the story—driven by its strong characters and not plot—occasionally bogs down in details unnecessary to the development of either. But even in these rare lapses O’Hagan, whose previous work has been short-listed for the Booker Prize, carries his reader through his finesse with Scottish dialect and the wit of his rich supporting characters. —Patrick O’Kelley
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Loosely modelled on the tragic life of Scottish child star Lena Zavaroni, Personality, Andrew O’Hagan’s second novel, scrutinises the more insidious aspects of fame and the family. Told through an array of different voices—including a fictionalised Hughie Green—it centres on the story of Maria Tambini, a teenager from Rothesay, on the Isle of Bute, who becomes an international singing sensation before falling victim to anorexia and the unwelcome attentions of a fan.
The novel opens at the height of the Silver Jubilee festivities. The Tambinis, whose individual stories also drive and augment the narrative, are Italian immigrants. Haunted by a few unresolved ghosts from the war, they struggle to make a living in Rothesay, a resort whose tourist trade has been decimated by “jet engines, Thomson holidays and Lloret de Mar”. Rosa, Maria’s neurotic mother, runs the chip shop; Uncle Alfredo is a hairdresser and Grandmother Lucia simply nurses memories of her long dead first child, Sofia, “a lovely singer”. The weight of their dysfunctional aspirations, not unsurprisingly, fall on 13-year-old Maria. Spotted by a TV talent scout, she wins Opportunity Knocks. Leaving the family far behind, she moves to London and, briefly, takes the international world of light entertainment by storm. The speed with which she is estranged from her old life is neatly, if not completely believably, illustrated in her correspondence with a one-time best friend: while Kalpana chats about Gormenghast and the boys she fancies, Maria’s increasingly brief and self-absorbed missives start to read like extracts from beauty manuals.
O’Hagan may indulge in what is best described as “product placement” period detail (references to Girl’s World, Cola Cubes and McEwan’s Export etc) but this is certainly not an exercise in 1970s and 80s nostalgia. In harking back to a slightly more innocent era, a period when both eating disorders and the downsides of fame were certainly less well publicised, if not well known, this impressive novel makes resonant points about our unwavering obsession with celebrity. “Nowadays”, O’Hagan’s Hughie Green grumbles, “the kids don’t want to be good and they don’t care about being the best: they want fame”. Plus ça change.—Travis Elborough
