Prairie Wind
From AwardAnnals
| This creative work has a long or truncated description. Please review the creative work guidelines concerning descriptions and edit down or replace the description. |
 | |
| Artist(s) | Neil Young |
|---|---|
| Label | Reprise / Wea |
| Honors | |
| An artist for all musical seasons, Neil Young returns to autumnal harvest mode on Prairie Wind, with homespun material and sing-song melodies that renew the spirit of some of his most popular releases. Yet the mood here is darker in its maturity than on Harvest and Harvest Moon—the previous releases in what now sounds like a trilogy—and the arrangements have greater range and aural depth, with Wayne Jackson of the soulful Memphis Horns, the Fisk University Jubilee Singers gospel choir, and a string section employed to striking effect. This is… | |
Honors
Reviews
Amazon.com
An artist for all musical seasons, Neil Young returns to autumnal harvest mode on Prairie Wind, with homespun material and sing-song melodies that renew the spirit of some of his most popular releases. Yet the mood here is darker in its maturity than on Harvest and Harvest Moon—the previous releases in what now sounds like a trilogy—and the arrangements have greater range and aural depth, with Wayne Jackson of the soulful Memphis Horns, the Fisk University Jubilee Singers gospel choir, and a string section employed to striking effect. This is a song cycle of dreams, memories, family ties, and the passage of time—what is lost and what endures. The elliptical, epic “No Wonder,” with its evocation of 9/11, ranks with the most ambitious songs of Young’s career, while “Falling Off the Face of the Earth,” “It’s a Dream,” and the bluesy title cut combine childlike innocence with unsettling experience. Spooner Oldham’s church keyboards and coproducer Ben Keith’s steel guitar reinforce the sound’s sturdy simplicity. Young has released a lot of albums in different musical styles, but Prairie Wind feels like a homecoming, and ranks with his very best. —Don McLeese
