Remake

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Remake
Author(s)Connie Willis
PublisherMark V. Ziesing
Honors
It’s the Hollywood of the future, where moviemaking’s been computerized and live-action films are a thing of the past. It’s a Hollywood in which Humphrey Bogart and Marilyn Monroe are starring together in a remake of A Star Is Born, and if you don’t like the ending, you can change it with the stroke of a key. A Hollywood of warmbodies and sim-sex, of drugs and special effects, where anything is possible. Except what Alis wants to do, which is dance in the movies. Tom offers to make her dream a reality: he’ll digitize her face onto any actress’s she likes—Ann…

It’s the Hollywood of the future, where moviemaking’s been computerized and live-action films are a thing of the past. It’s a Hollywood in which Humphrey Bogart and Marilyn Monroe are starring together in a remake of A Star Is Born, and if you don’t like the ending, you can change it with the stroke of a key.

A Hollywood of warmbodies and sim-sex, of drugs and special effects, where anything is possible. Except what Alis wants to do, which is dance in the movies. Tom offers to make her dream a reality: he’ll digitize her face onto any actress’s she likes—Ann Miller, Ruby Keeler, even Ginger Rogers. What Tom doesn’t understand is that Alis doesn’t want to look like she’s dancing. She wants the real thing. And as Tom finds himself seduced by Alis’s impossible dream, he begins to learn that even in a world of technological miracles, there are still some things that just can’t be faked.

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In the Hollywood of the future there’s no need for actors since any star can be digitally recreated and inserted into any movie. Yet young Alis wants to dance on the silver screen. Tom tries to dissuade her, but he fears she will pursue her dream—and likely fall victim to Hollywood’s seamy underside, which is all to eager to swallow up naive actresses. Then Tom begins to find Alis in the old musicals he remakes, and he has to ask himself just where the line stands between reality and the movies.

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