Silkwood

From AwardAnnals

Reviews

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Based on the harrowing account of whistle blower Karen Silkwood, this 1983 film directed by Mike Nichols (The Graduate, Postcards from the Edge) is as much a character study of a woman galvanized by injustice as a story of the dangers of nuclear power and the extremes of corporate greed. When Karen discovers unsafe conditions and reckless protocol at the plant where she works, her actions in uncovering the dangers that lie at the plant not only cause a rift between her and her lover (Kurt Russell) and her best friend (Cher), but they threaten her very life. Streep gives yet another bravura performance as a wild child in Oklahoma forced to confront the harsh realities of her life, and the supporting cast, from Cher to Russell to Diana Scarwid is first rate. This true story of the woman who disappeared under mysterious circumstances while trying to find the truth is a well-told, challenging, and emotionally complex tale. —Robert Lane

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As a tale of self-discovery, Silkwood, Mike Nichols’ 1982 biopic of the plutonium factory worker who uncovered negligence and dangerous practices at the heart of her employer’s company, works well enough.

Karen Silkwood (Meryl Streep) is no saint. She drinks, cheerfully gets ‘em out for the boys, has left her husband and kids and lives in a curious ménage à trois with her lover, (Kurt Russell) and their lesbian friend (Cher). But, through her own dawning suspicions, she is drawn into union activism and embarks on a crusade to expose the rottenness of her paymasters, only to die in a mysterious car crash. And here is the flaw. The film can’t decide whether it’s quirky soap opera, a campaigning blow for the anti-nuclear lobby or an allegory for the conflict between the rights of the individual and the demands of the corporate giant. It stops short of providing some important conclusions about what really happened to its central character, and why. Streep is fine though, injecting her character with a studied mixture of innate intelligence and trailer park trash. Russell offers solid support and Cher is outstanding as housemate Dolly Pelliker. Their performances give Silkwood its heart as a powerful human drama. —Piers Ford