Specimen Days
From AwardAnnals
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| Author(s) | Michael Cunningham |
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| Subtitle | A Novel |
| Publisher | Farrar, Straus and Giroux |
| Honors | |
| In each section of Michael Cunningham’s bold new novel, his first since The Hours, we encounter the same group of characters: a young boy, an older man, and a young woman. “In the Machine” is a ghost story that takes place at the height of the industrial revolution, as human beings confront the alienating realities of the new machine age. “The Children’s Crusade,” set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band that is detonating bombs, seemingly at random, around the city.… | |
In each section of Michael Cunningham’s bold new novel, his first since The Hours, we encounter the same group of characters: a young boy, an older man, and a young woman. “In the Machine” is a ghost story that takes place at the height of the industrial revolution, as human beings confront the alienating realities of the new machine age. “The Children’s Crusade,” set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band that is detonating bombs, seemingly at random, around the city. The third part, “Like Beauty,” evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth.
Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, “It avails not, neither time or place…I am with you, and know how it is.” Specimen Days is a genre-bending, haunting, and transformative ode to life in our greatest city and a meditation on the direction and meaning of America’s destiny. It is a work of surpassing power and beauty by one of the most original and daring writers at work today.
Honors
Reviews
Amazon.com
It’s hard to overestimate the impression made by Michael Cunningham’s The Hours; this was literary fiction of a rare order, detailing the inner lives of its female protagonists with sympathy and understanding. Now we have Specimen Days, and this has to be counted among the most eagerly anticipated novels in recent years, such is the reputation of the Pulitzer prize-winning novelist has acquired in a relatively short time. And if Specimen Days does not immediately exert the grip of its predecessor, this is due to no failure of technique. Cunningham knows exactly what he is doing, and his slow, penetrating accretion of detail ultimately pays off in ways that are richly satisfying.
The various sections of the novel describe the same group of protagonists: a young boy, a young woman and an older man. But the treatment of these characters is strikingly varied from section to section, and the ambitions of the novel are jaw dropping. In the Machine is set during the industrial revolution, and balances the carefully examined pathology of its characters against supernatural elements. We are then taken to the early 21st century in The Children’s Crusade which has a far grittier tone, with a terrorist group setting off bombs at random throughout the city. Finally, we are plunged 150 years into the future, when the city of New York is struggling to deal with the host of refugees from a planet that astronauts have reached.
All of these widely disparate narratives are united by the telling presence of the poet Walt Whitman, who acts as an anchor for the reader in a narrative that disorients as much as it stimulates. Not everyone will be able to accept the massive reach of Cunningham’s novel, and the wrench between different time periods is certainly more shocking than that in The Hours. But for those willing to accept the new and challenging, Specimen Days is a masterful and visceral read. —Barry Forshaw
Barnes and Noble
Michael Cunningham’s first novel since The Hours resembles a three-movement concerto. Each of the story/movements features the same group of characters (a little boy; an older man; and a young woman) and each tale is permeated by the spirit presence of poet Walt Whitman. Borrowing its title from the Good Gray Poet’s classic prose collection, Specimen Days touches down in New York during three eras: the Industrial Revolution, the Roaring ‘20s, and the 22nd century. Filtered through various styles and genres, the stories nevertheless retain a haunting continuity. Like The Hours, they ensnare us in ways that we cannot explain.
