Steven Spielberg
From AwardAnnals
Information about the director.
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Steven Spielberg
- 1999 Golden Globe-Drama winner
- 1999 Saturn-Action winner
- 1999 BAFTA-Film nominee
- 1999 MTV-Movie nominee
- 1999 Oscar-Picture nominee
- Score: 38.49
When Steven Spielberg was an adolescent, his first home movie was a backyard war film. When he toured Europe with Duel in his 20s, he saw old men crumble in front of headstones at Omaha Beach. That image became the opening scene of Saving Private Ryan, his film of a mission following the D-day invasion that many have called the most realistic—and maybe the best—war film ever. With 1998 production standards, Spielberg has been able to create a stunning, unparalleled view of war as hell. We are at Omaha Beach as troops are slaughtered by Germans yet…
Steven Spielberg
- 1994 BAFTA-Film winner
- 1994 Golden Globe-Drama winner
- 1994 Oscar-Picture winner
- 1994 MTV-Movie nominee
- Score: 36.44
Steven Spielberg had a banner year in 1993. He scored one of his biggest commercial hits that summer with the mega-hit Jurassic Park, but it was the artistic and critical triumph of Schindler’s List that Spielberg called “the most satisfying experience of my career.” Adapted from the best-selling book by Thomas Keneally and filmed in Poland with an emphasis on absolute authenticity, Spielberg’s masterpiece ranks among the greatest films ever made about the Holocaust during World War II. It’s a film about heroism with an unlikely hero at its…
E.T.: The Extra-Terrestrial
Steven Spielberg
- 1983 Golden Globe-Drama winner
- 1983 BAFTA-Film nominee
- 1983 Hugo-Video nominee
- 1983 Oscar-Picture nominee
- Score: 28.33
Steven Spielberg’s 1982 hit about a stranded alien and his loving relationship with a fatherless boy (Henry Thomas) struck a chord with audiences everywhere, and it furthered Spielberg’s reputation as a director of equally strong commercial sensibilities and classical leanings. Henry Thomas gives a strong, emotional performance as E.T.’s young friend, Robert MacNaughton and Drew Barrymore make a solid impression as his siblings, and Dee Wallace is lively as the kids’ mother. The special effects almost look a bit quaint now with all the computer advancements that…
Steven Spielberg
Steven Spielberg’s 1993 mega-hit rivals Jaws as the most intense and frightening film he’d ever made prior to Schindler’s List, but it was also among his weakest stories. Based on Michael Crichton’s novel about an island amusement park populated by cloned dinosaurs, the film works best as a thrill ride with none of the interesting human dynamics of Spielberg’s Jaws. That lapse proves unfortunate, but there’s no shortage of raw terror as a rampaging T-rex and nasty raptors try to make fast food out of the cast. The effects are still…
Raiders of the Lost Ark: 1st in Indiana Jones series
Steven Spielberg
Steven Spielberg and George Lucas’s 1981 resurrection of the Saturday-matinee adventure genre was deservedly popular, and kicked off a successful trilogy. Set in 1936, this first feature introduces Harrison Ford as Indiana Jones, an archaeologist and adventurer whose quests for rare antiquities frequently find him running from one menace or another. Raiders finds Dr. Jones in the middle of a Nazi plot to use the mysterious powers of the Ark of the Covenant to win the war. Karen Allen plays the love interest with an old-fashioned “man’s woman” appeal (she…
Steven Spielberg
Set in the chillingly possible future of 2054, Steven Spielberg’s Minority Report is arguably the most intelligently provocative sci-fi thriller since Blade Runner. Like Ridley Scott’s “future noir” classic, Spielberg’s gritty vision was freely adapted from a story by Philip K. Dick, with its central premise of “Precrime” law enforcement, totally reliant on three isolated human “precogs” capable (due to drug-related mutation) of envisioning murders before they’re committed. As Precrime’s confident captain, Tom Cruise preempts these killings like a…
Indiana Jones and the Last Crusade: 3rd in Indiana Jones series
Steven Spielberg
The third episode in Steven Spielberg’s rousing Indiana Jones saga, this film recaptures the best elements of Raiders of the Lost Ark while exploring new territory with wonderfully satisfying results. Indy is back battling the Nazis, who have launched an expedition to uncover the whereabouts of the Holy Grail. And it’s not just Indy this time—his father (played with great acerbic wit by Sean Connery, the perfect choice) is also involved in the hunt. Spielberg excels at the kind of extended action sequences that top themselves with virtually every frame;…
Steven Spielberg
Steven Spielberg, proving he’s one of the few modern filmmakers who has the visual fluency to be capable of making a great silent film, took a melodramatic, D.W. Griffith-inspired approach to filming Alice Walker’s novel. His tactics made the film controversial, but also a popular hit. You can argue with the appropriateness of Spielberg’s decision, but his astonishing facility with images is undeniable—from the exhilarating and eye-popping opening shots of children playing in paradisiacal purple fields to the way he conveys the brutality of a rape by showing…
Steven Spielberg
History will place an asterisk next to A.I. as the film Stanley Kubrick might have directed. But let the record also show that Kubrick—after developing this project for some 15 years—wanted Steven Spielberg to helm this astonishing sci-fi rendition of Pinocchio, claiming (with good reason) that it veered closer to Spielberg’s kinder, gentler sensibilities. Spielberg inherited the project (based on the Brian Aldiss short story “Supertoys Last All Summer Long”) after Kubrick’s death in 1999, and the result is an astounding directorial hybrid. A…
Steven Spielberg
At its core, Munich is a straightforward thriller. Based on the book Vengeance: The True Story of an Israeli Counter-Terrorist Team by George Jonas, it’s built on a relatively stock movie premise, the revenge plot: innocent people are killed, the bad guys got away with it, and someone has to make them pay. But director Steven Spielberg uses that as a starting point to delve into complex ethical questions about the cyclic nature of revenge and the moral price of violence. The movie starts with a rush. The opening portrays the kidnapping and murder of…
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