The Cure
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The Cure
No one revels in the sumptuous pleasures of melancholy like Robert Smith, the Cure’s leading mopemeister. In Smith’s world, it is always raining, comfort and happiness are fleeting, love is epic and torturous. On Bloodflowers, the band’s 11th studio album, his lyrical prowess continues to astound. Considering the subject matter, Smith’s always managed to steer clear of the clichéd, bad-high-school-poetry trap, and on Bloodflowers, the imagery is some of his most vivid and stabbing. On “The Loudest Sound,” a story about a couple who are, of course,…
