The End of the Affair: Original Motion Picture Soundtrack

From AwardAnnals

Jump to: navigation, search
This creative work has a long or truncated description.
Please review the creative work guidelines concerning descriptions and edit down or replace the description.
The End of the Affair
Artist(s)Michael Nyman
SubtitleOriginal Motion Picture Soundtrack
LabelSony
Honors
Brooding, modern, and introspective, Michael Nyman’s score for Neil Jordan’s screen adaptation of Graham Greene’s dark, postwar drama largely eschews melodic accessibility and convention. Instead, much as frequent David Cronenberg collaborator Howard Shore (and the great Bernard Herrmann before them), Nyman utilizes subtly shifting minimalist motifs (played by his namesake string and wind ensemble) to underscore the film’s moods and amplify its drama. Though the result may not be memorable from a traditional melodic sense, many will find it an emotionally…

Honors

Reviews

Amazon.com

Brooding, modern, and introspective, Michael Nyman’s score for Neil Jordan’s screen adaptation of Graham Greene’s dark, postwar drama largely eschews melodic accessibility and convention. Instead, much as frequent David Cronenberg collaborator Howard Shore (and the great Bernard Herrmann before them), Nyman utilizes subtly shifting minimalist motifs (played by his namesake string and wind ensemble) to underscore the film’s moods and amplify its drama. Though the result may not be memorable from a traditional melodic sense, many will find it an emotionally commanding soundscape that’s as challenging as it is rewarding. —Jerry McCulley

Find this album


Related works

The End of the Affair

Neil Jordan

“This is a diary of hate,” pounds out novelist Maurice Bendrix (Ralph Fiennes) on his typewriter as he recounts the lost love of his life in this spiritual memoir (based on Graham Greene’s novel) with a startling twist. It’s London 1946, and Maurice runs into his achingly dull school friend Henry (Stephen Rea with a perpetually gloomy hangdog expression). Their meeting is brittle, all small talk and chilly, mannered civility beautifully captured by director-screenwriter Neil Jordan (The Crying Game), and it only barely thaws when Henry suggests that his…

 
Personal tools